F Typing
For people who hunt-and-peck and want to learn to touch type, but found typing drill apps boring or frustrating.
F Typing teaches touch typing through memorable stories and fill-in-the-blank practice. You learn each key through a character instead of a drill.
The goal is to learn to type in about two hours, without shame. Accuracy and finishing the story matter more than beating a scoreboard.
The characters
Every key in F Typing is taught through a fictional character. You learn A because Alice is there, Z because Zorro arrives, Q because Quasimodo needs you. Each character's story is woven into the lesson so the key sticks through meaning, not repetition.
These characters come from works that have shaped storytelling around the world. Many of the originals are in the public domain and freely available on Project Gutenberg:
- Alice, from Alice's Adventures in Wonderland by Lewis Carroll (1865)
- Zorro, from The Curse of Capistrano by Johnston McCulley (1919)
- Quasimodo and Jean Valjean, from Notre-Dame de Paris (1831) and Les Misérables (1862) by Victor Hugo
- Scheherazade, from One Thousand and One Nights (compiled, Persian and Arabic tradition)
- Wendy, from Peter Pan by J. M. Barrie (1904)
- D'Artagnan, from The Three Musketeers by Alexandre Dumas (1844)
- Cyrano, from Cyrano de Bergerac by Edmond Rostand (1897)
- Eliza, from Pygmalion by George Bernard Shaw (1913)
- Frankenstein's Creature, from Frankenstein by Mary Shelley (1818)
- Gerda and Kay, from The Snow Queen by Hans Christian Andersen (1844)
- Robin Hood and Yvain, from English ballad tradition and Yvain, the Knight of the Lion by Chrétien de Troyes (c. 1180)
- Titania, from A Midsummer Night's Dream by William Shakespeare (c. 1596)
- Virgil, from The Divine Comedy by Dante Alighieri (c. 1320)
- Baba Yaga, from Slavic folklore
- Holmes, from Sherlock Holmes by Arthur Conan Doyle (1887)
- Mulan, from Ballad of Mulan (Chinese poetry, c. 6th century)
- Nemo, from Twenty Thousand Leagues Under the Sea by Jules Verne (1870)
- Ishmael, from Moby-Dick by Herman Melville (1851)
- Ulysses, from The Odyssey by Homer (c. 8th century BC)
- Lupin, from Arsène Lupin by Maurice Leblanc (1905)
- Orlando, from Orlando by Virginia Woolf (1928)
- Pinocchio, from The Adventures of Pinocchio by Carlo Collodi (1883)
Creative license
F Typing is an educational game rather than a retelling. We adapt these characters for a modern audience by updating language, compressing timelines, and sometimes giving them new scenes that the originals never had. Our versions are inspired by the source material but are not faithful reproductions.
Xio, the exile on the X key, is an original character, drawn from no prior work.
If a character or tradition here is important to you and we have mishandled it, we would like to hear from you. Reach out on Discord or through the contact links below.
Character portraits
Each character's portrait is cropped from a work of art in the public domain. We are grateful to the artists, photographers and engravers who made them, and to Wikimedia Commons and the Internet Archive for preserving them. Every link opens the source file with its rights statement.
- Alice, from Alice (frontispiece to Alice's Adventures in Wonderland), Arthur Rackham (1907)
- Baba Yaga, from Baba Yaga, illustration for Vasilisa the Beautiful, Ivan Bilibin (1900)
- Cyrano, from Constant Coquelin as Cyrano de Bergerac (Neurdein postcard), Nadar (1898)
- D'Artagnan, from Portrait of Étienne Mélingue as D'Artagnan, attributed to Eugène Giraud (c. 1849, Paris Musées), CC0
- Eliza, from Mrs Patrick Campbell in Pygmalion, Bain News Service (1913 to 1915, Library of Congress)
- Frankenstein's Creature, from T. P. Cooke as the Creature in Presumption, Nathaniel Whittock after Thomas Charles Wageman (1823)
- Gerda, from Gerda and the Ravens, Anne Anderson (1923)
- Holmes, from The Final Problem, The Strand Magazine, Sidney Paget (1893)
- Ishmael, from Illustration for Moby-Dick, Augustus Burnham Shute (1892) (Internet Archive scan used for the crop)
- Jean Valjean, from Monsieur Madeleine, for Les Misérables, Gustave Brion (1862)
- Kay, from Kay and Gerda, Hans Andersen's Fairy Tales, uncredited wood engraving after Vilhelm Pedersen (1888)
- Lupin, from Cover of Je sais tout no. 47, René Lelong (1908)
- Mulan, from Mulan, ink and colours on silk, unknown Qing-dynasty artist (18th century, British Museum)
- Nemo, from Captain Nemo at the organ, for Twenty Thousand Leagues Under the Seas, Alphonse de Neuville, engraved by Henri Hildibrand (1871)
- Orlando, from Young Man Among Roses, Nicholas Hilliard (c. 1587, Victoria and Albert Museum)
- Pinocchio, from Pinocchio, for Le avventure di Pinocchio, Enrico Mazzanti (1883)
- Quasimodo, from Quasimodo, engraving for Notre-Dame de Paris, Laisné and Hans (1844)
- Robin Hood, from The Merry Adventures of Robin Hood, Howard Pyle (1883)
- Scheherazade, from Scheherazade, frontispiece to Stories from the Arabian Nights, Edmund Dulac (1907)
- Titania, from Titania, The Dramatic Works of Shakspeare, D. L. Glover (c. 1850)
- Ulysses, from Odysseus Yearns for Ithaca, Johann Heinrich Wilhelm Tischbein (c. 1800, Landesmuseum Oldenburg)
- Virgil, from Portrait of Virgil, Roman mosaic, unknown Roman mosaicist (3rd century, Bardo National Museum, Tunis)
- Wendy, from When Wendy grew up, Peter and Wendy, F. D. Bedford (1911)
- Xio, from The Geographer, Johannes Vermeer (1668 to 1669, Städel Museum)
- Yvain, from Sir Ewaine, The Story of Sir Launcelot and His Companions, Howard Pyle (1907)
- Zorro, from Douglas Fairbanks in The Mark of Zorro (film still), Douglas Fairbanks Pictures (1920)
- The Pause, from Counsellor Comma, Punctuation Personified, anonymous, published by John Harris (1824)
- The End, from A Period or Full Stop, Punctuation Personified, anonymous, published by John Harris (1824)
- The Bridge, from Ensign Semicolon, Punctuation Personified, anonymous, published by John Harris (1824)
- The Choice, from The Choice of Heracles, Annibale Carracci (1596, Museo di Capodimonte)
- Narrator, from Typus grammaticae, Margarita philosophica, Gregor Reisch (1517)
All of these works are in the public domain. The D'Artagnan portrait is released under the Creative Commons CC0 dedication by Paris Musées. Portraits are cropped to a circle around the face. Nothing else about the originals has been altered.